 |
|
|
 |
 |
|
|
|
|
|
|
|
|
|
|||||||
|
|||||||||||
|
|
|
|
Graduate Calendar Archives: 1999 / 2000 |
|||
|
|
School for Studies in Art and Culture: MusicLoeb Building A911 Telephone: 520-5770 Fax: 520-3905 The SchoolSt. Patrick's Building 423 Director, Bryan Gillingham Assistant Director (Music), Bryan Gillingham Music offers courses at the graduate level in musicology and ethnomusicology. These include courses offered in cooperation with the School of Canadian Studies. Full use is made of the resources of the National Library, the Public Archives, and the National Museum of Civilization. Dr. Elaine Keillor is lecturer in Canadian music with Dr. Helmut Kallmann (former Chief Music Librarian, National Library) as Adjunct Professor. Courses in the sociology and aesthetics of music are offered by Dr. John Shepherd and Dr. Geraldine Finn. Graduate CoursesNot all of the following courses are offered in a given year. For an up-to-date statement of course offerings for 1999-2000, please consult the Registration Instructions and Class Schedule booklet published in the summer. F,W,S indicates term of offering. Courses offered in the fall and winter are followed by T. The number following the letter indicates the credit weight of the course: 1 denotes 0.5 credit, 2 denotes 1.0 credit, etc. Music 30.501W1Theories of Music as CultureThis course provides a critical survey of major theories on the relationship between music and culture. Particular attention is paid to the way in which work in musicology, ethnomusicology, culture theory, feminism, semiotics, structuralism, poststructuralism, and psychoanalytic theory has been applied to the problem of understanding the culture-specific character of sound in music.Prerequisite: Permission of the School for Studies in Art and Culture (Music). Music 30.505F1Feminism and MusicologyThis course applies the insights and analyses of feminist cultural critiques to the theory and practice of music and musicology. Taking specific discursive and musical examples as its focus, the course draws upon recent developments in psychoanalytic theory, deconstruction, and post-colonial critique to examine the structures and significances of music in contemporary culture and its relationship to politics, ideology, and power.Prerequisite: Permission of the School for Studies in Art and Culture (Music). Music 30.510T2History of Canadian Music ISelected aspects of notated Canadian music from 1600 to the present; liturgical music; social and economic conditions of Canadian musical life; regional studies; individual composers and performers.Prerequisite: Permission of the School for Studies in Art and Culture (Music). Music 30.511F1History of Canadian Music IIAnglo- and Franco-folk music traditions in Canada, past and present.Prerequisite: Permission of the School for Studies in Art and Culture (Music). Music 30.512W1History of Canadian Music IIIThe music of various ethnic minorities in Canada with special emphasis on the traditions of the First Peoples.Prerequisite: Permission of the School for Studies in Art and Culture (Music). Music 30.515F1History of Canadian Music IVA survey of the history of French-Canadian popular music from the beginnings of Nouvelle France to the present. Special attention is paid to the social and political contexts of music making in Québec.Prerequisites: Permission of the School for Studies in Art and Culture (Music). A good reading ability in French is essential. |
| © 2025 Carleton University | 1125 Colonel By Drive, Ottawa, ON, K1S 5B6 Canada | (613) 520-7400 | Contact | Privacy Policy | ||