Graduate Calendar Archives: 2001 / 2002

Film Studies

The School

The School for Studies in Art and Culture offers a program of study and research leading to the degree of Master of Arts in Film Studies. This is a disciplinary M.A. with emphasis upon 1) the conceptual issues current in the field, and 2) the problematics of various national cinemas and other practices.

The program will develop in students a broadly based expertise in the discipline. The study of Canadian cinema is given a high priority, but provision is also made for the study of other national cinemas, as well as for the study of other traditions outside the mainstream, such as women's cinemas, post-colonial cinemas, and minority and regional practices.

Most work in the program is on the feature fiction film and its institutional foundations as an object of study. However, in line with the expertise of members of faculty, the study of other film forms like documentary, animation, experimental film and video is a necessary part of the course offerings.

Questions of critical and historical method and problems of theory inform all of the courses in the program. This conceptual emphasis is in line with the central developments in Film Studies as a discipline over the past twenty-five years.

Qualifying-Year Program

Applicants who lack an Honours degree, but who have a 3 year degree in Film Studies or a related discipline with a minimum standing of B+, may be admitted to a qualifying-year program. Students who complete the qualifying-year requirements with high honours standing or better will be considered for admission to the master's program. The regulations governing the qualifying-year are outlined in the general section of this calendar (see p.55).

Master of Arts

Admission Requirements

The minimum requirement for admission to the Master's program in either a full-time or part-time capacity is a B.A. (Honours) or the equivalent in Film Studies or a related discipline with high honours standing. Related disciplines might include Mass Communication, Art History, Literature, Canadian Studies, Women's Studies, and History. Applicants without a background in Film Studies may be required to take a maximum of two full credits from designated courses in the undergraduate Film Studies program in addition to their normal M.A. program requirements.

Program Requirements

The specific program requirements for students in the M.A. program are as follows:

* 1.0 core credit required

* 2.0 additional credits

* Thesis (equivalent to 2.0 credits)

* Total of 5.0 credits required

In choosing the two additional credits beyond the core seminar and the thesis, students may take 0.5 credit outside the Film Studies program subject to the approval of the Graduate Supervisor.

Because of the strong conceptual demands of the program and the expectation that students be able to synthesize ideas in a substantial piece of written work, the research essay option will not be available in partial fulfillment of the requirements of the degree.

Deadlines

Normally, full-time students should complete their course work by the end of the second term, and part-time students by the end of the fifth term.

Thesis Proposal

Students will normally submit a detailed thesis proposal to the thesis proposal committee no later than March 1 of the first year of registration for students enrolled full-time and no later than the middle of the fifth term of registration for students enrolled part-time.

Language Requirements

A reading knowledge of French (or another language approved by the Film Studies Graduate Supervisor) is required.

Academic Standing

A standing of B- or better must be obtained in each course counted towards the master's degree.

Graduate Courses

Not all of the following courses are offered in a given year. For an up-to-date statement of course offerings for 2001-2002, please consult the Registration Instructions and Class Schedule booklet published in the summer.

F,W,S indicates term of offering. Courses offered in the fall and winter are followed by T. The number following the letter indicates the credit weight of the course: 1 denotes 0.5 credit, 2 denotes 1.0 credit, etc.

Film Studies 19.500T2

Directions in Film Theory and Film History

This course is intended to acquaint students with recent developments in film theory and history. Topics may include spectatorship, identity, gender, cultural studies, fan cultures, performance, reception theory, formation of taste, discourse analysis, historical method, and concepts of national and transnational cinemas.

Film Studies 19.501F1, W1, S1

Directed Readings and Research

Tutorials designed to permit students to pursue research on topics in Film Studies which have been chosen in consultation with members of faculty.

Film Studies 19.502F1 or W1

Special Topics

This course offers selected topics in film studies not available in the regular course program.

Film Studies 19.515F1 or W1

Changing Practices

This course looks at traditional and recent developments in non-feature film forms such as documentary, newsreel, experimental film, video and television. The aesthetic particulars, which distinguish these forms from the fiction feature film, and their social and cultural roles are examined.

Film Studies 19.521F1 or W1

Topics in European Cinema

Some aspect of European cinema - a particular period, movement, style, genre, narrative development or co-production practice - is the focus of this course. Emphasis will be upon the problematic concept of a national cinema in the light of current debates about nation-ness

Film Studies 19.522F1 or W1

Cinemas of the America

This course examines one or more of the cinemas of the United States, the Caribbean, Latin America and Brazil. A particular period, movement, style, genre, narrative development, some relationship between these cinemas or the problematic concept of a national cinema may be dealt with.

Film Studies 19.524F1 or W1

Cultural Mediations

This course examines the processes of mediation that operate between mainstream and alternative, independent or marginal film industries and practices.

Film Studies 19.528F1 or W1

Historical Traditions in Canadian Cinema

Selected aspects of the history of cinema in Canada are the focus of this course. Emphasis is placed upon the role that institutional bodies, government policies, economic decisions, aesthetic traditions, and related cultural practices have had on the history of Canadian cinema.

Film Studies 19.529F1 or W1

Critical Perspectives on Canadian Cinema

This course examines current critical approaches to Canadian film. Attention will be given to the influence of Canadian and foreign cultural theory and criticism on film studies in Canada.

Film Studies 19.541F1 or W1

Studies in Authorship

This course offers detailed attention to the work of one or two filmmakers, with a concern for recent ideas about the concept of authorship and the formation of artistic and critical reputations.

Film Studies 19.550F1 or W1

Advanced Film Analysis

This course examines issues and approaches to the detailed analysis of particular film texts. Work in narratology, hermeneutics, discourse analysis, psychoanalysis, deconstruction and semiotics will provide the methodological background to the study of individual films.

Film Studies 19.551F1 or W1

Gender and Cinema

The social production and reproduction of gender and gender relations through the cinema and its representations are examined in this course. The consequences of this work for feminist, gay and lesbian film practices and politics form an important part of the course.

Film Studies 19.561F1 or W1

Studies in Genre

The theory and practice of film genres will be the object of study in this course.

Film Studies 19.571F1 or W1

Topics in Animation

Institutional histories, the work of individual animators, modes of production, and the social function of animation represent topics to be covered by this course.

Film Studies 19.590F1 or W1

Cinema and Modernism

This course examines cinema's relationship to the history and theory of modernism. The concerns of classical film theory, the emergence of avant-garde, modernist film practices, and film's relationship to other twentieth-century art forms represent areas of study in this course.

Film Studies 19.591F1 or W1

Cinema and the Postmodern

An examination of cinema's relationship to the history and theory of postmodern cultural practices in performance art, video, multimedia, architecture, literature, music, and other examples of artistic postmodernism is the focus of this course.

Film Studies 19.599

M.A. Thesis